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Bouncing and exploring
(Omitted)


BLACK FRAMES.

Superimposition over:

A MONTH LATER

                                            CUT TO:

EXT. OVERLOOK HOTEL - DAY - M.L.S.

Hotel.  Mountain in b.g.

                                            CUT TO:





INT. OVERLOOK HOTEL - LOBBY - DAY - M.S.

WENDY pushing trolley forward along corridor.  CAMERA TRACKS
BACK with her.  She turns to cam.L and enters Lobby.  CAMERA
TRACKS R-L with her across lobby.

                                            CUT TO:

The Big Wheel













INT. HOTEL - KITCHEN & LOUNGE - DAY - M.S.

DANNY sitting on tricycle.  He pedals out of Kitchen into
Lounge, across it and back into Kitchen.

CAMERA TRACKS FORWARD after him.

                                            CUT TO:

Breakfast
(Shorter)



INT. HOTEL - CORRIDOR TO TORRANCE'S APARTMENT - DAY - M.S.

WENDY enters cam.L pushing trolley.  She pushes it forward
along corridor.  CAMERA PANS L-R with her to door of their
Apartment.

                                            CUT TO:








INT. HOTEL - TORRANCE'S APARTMENT - DAY - M.C.S.

JACK asleep in bed, reflected in mirror.  CAMERA TRACKS BACK.
WENDY enters cam.R carrying tray.  She walks forward.
CAMERA TRACKS BACK with her.  She puts tray down on table.

                         WENDY
            Good Morning, hon.  Your breakfast
            is ready.

                         JACK
            What time is it?

                         WENDY
            It's about eleven thirty.

CAMERA TRACKS FORWARD to JACK & WENDY reflected in mirror.

                         JACK
            Eleven thirty - Jesus!

                         WENDY
            I guess we've been staying up too
            late.

                         JACK
            I know it.

JACK sticks his tongue out.  WENDY picks up plate and glass
of orange juice.

                         WENDY
            I made 'em just the way you like
            'em, sunny side up.

                         JACK
            Hmm, nice.

WENDY walks forward to JACK and puts plate down cam.L.  She
hands him glass of orange juice and he drinks it.

                         WENDY
            It's really pretty outside.  How
            about taking me for a walk after
            you've finished your breakfast?

                         JACK
            Oh I suppose I oughta try to do
            some writing first.

He puts empty glass down cam.L and picks up plate of eggs
and bacon.

                         WENDY
            Any ideas yet?

                         JACK
            Lots of ideas.  No good ones.

WENDY sits down cam.R.

                         WENDY
            Well, something'll come.  It's just
            a matter of settling back into the
            habit of writing every day.

                         JACK
            Yeah... that's all it is.

JACK starts to eat bacon.
                         WENDY
            It's really nice up here, isn't it?

                         JACK
            I love it.  I really do.  I've
            never been this happy, or
            comfortable anywhere.

                                            CUT TO:

M.C.S. WENDY

                         WENDY
            Yeah.  It's amazing how fast you
            get used to such a big place.  I
            tell you, when we first came up
            here, I thought it was kinda scarey.

WENDY laughs.

                                            CUT TO:

M.C.S. JACK over WENDY.

                         JACK
            I fell in love with it right away.
            When I came up here from my
            interview, it was as though I had
            been here before.  We...we all have
            moments of deja vu, but this was
            ridiculous.  It was almost as
            though I knew what was going to be
            around every corner.  Ooohhhhh...

WENDY laughs.

                                            DISSOLVE TO:

Writing



INT. HOTEL - LOUNGE - DAY - M.S.

Typewriter with sheet of paper in it.  CAMERA TRACKS BACK
and TILTS UP onto JACK throwing ball against wall.

                                            CUT TO:

M.S. JACK back to camera throwing ball against wall.

                                            DISSOLVE TO:

The Maze
(Shorter)


EXT. HOTEL - MAZE - DAY - M.L.S.

WENDY running after DANNY from Hotel to Maze - CAMERA PANS
L-R & TRACKS with them to entrance to Maze.

                         WENDY
            The loser has to keep American
            clean, how's that?



                         DANNY
            All right.

                         WENDY
            And you're gonna lose.  And I'm
            gonna get you - you betta run fast!
            Look out - I'm coming in close.
            All right?

DANNY & WENDY run into Maze.  CAMERA TRACKS L-R onto plan of
Maze on board.

                         DANNY (OFF)
            You'll have to keep America clean.

                                            CUT TO:

The Maze (cont)




INT. MAZE - DAY - M.S.

DANNY & WENDY walking forward in Maze - CAMERA TRACKS BACK
before them.

                         WENDY
            Okay Danny, you win.  Let's take
            the rest of this walking, huh?

                         DANNY
            Okay...oh!

                         WENDY
            Give me your hand.  Oh, isn't it
            beautiful.

                         DANNY
            Yeah.

                                            CUT TO:






M.S. WENDY & DANNY backs to camera walking away through
Maze - CAMERA TRACKS FORWARD after them.

                         WENDY
            Here's a dead end.

WENDY & DANNY turn at dead end and walk away along Maze.
CAMERA TRACKS after them.

                                            DISSOLVE TO:

Maze Overlook






INT. HOTEL - LOBBY - DAY - M.L.S.

JACK back to camera bounces ball on floor and catches it.
Then he throws it away to b.g.  He walks away to model of
Maze on table by window.  CAMERA TRACKS FORWARD after him.
He stops by model and leans on table.

                                            CUT TO:

M.S. Shooting over model of Maze on table to JACK looking
down at it.

                                            CUT TO:

M.C.S. JACK looking down.

                                            CUT TO:


EXT. MAZE - DAY - L.S.

High Angle shooting down on Maze.  WENDY & DANNY move
through it.  CAMERA TRACKS DOWN on Maze.

                         WENDY
            Oh what a Maze.  Isn't it beautiful.

                         DANNY
            Yeah.

                                            CUT TO:

M.S. DANNY & WENDY walk forward through Maze - CAMERA TRACKS
BACK before them.

                         WENDY
            It's so pretty.

                         DANNY
            Yeah.

                         WENDY
            I didn't think it was going to be
            this big, did you?

                         DANNY
            No.

                                            CUT TO:

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