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Halloran flies in
(Shorter)


BLACK FRAMES.

Superimposition:

8 a.m.

                                            CUT TO:

EXT. SKY - DAY - L.S.

D.C.10 in flight.

                                            CUT TO:

INT. D.C.10 - M.C.S.

HALLORAN sitting in seat.  CAMERA TRACKS BACK to reveal
other passengers in their seats.

HALLORAN turns in his seat
and looks cam.L.  STEWARDESS enters from cam.L and stops
beside HALLORAN.

                         HALLORAN
            Pardon me, miss.  What time will we
            get to Denver?

                         STEWARDESS
            We're due to arrive at 8:20, sir.

                         HALLORAN
            Thank you very much.

STEWARDESS walks out cam.R.  HALLORAN looks at his wristwatch.

                                            DISSOLVE TO:

Typing
(Omitted)



INT. HOTEL - LOUNGE - L.S.

Shooting through entrance onto JACK seated, back to camera,
typing at table in b.g.  CAMERA TRACKS FORWARD onto JACK.

                                            DISSOLVE TO:

Touchdown


EXT. AIRPORT - DAY - L.S.

D.C.10 moves away along flare path, as it lands.

                                            DISSOLVE TO:

Durkin's Garage
(Omitted)


EXT. DURKIN'S GARAGE - M.L.S.

DURKIN at car by petrol pump.  He moves away R-L to office.

                                            CUT TO:


INT. DURKIN'S GARAGE - M.S.

MAN standing cam.L.  MAN sitting reading magazine.  DURKIN
enters.  He stamps snow off his feet and moves L-R.  CAMERA
PANS with him behind counter.  He picks up ringing phone.

                         DURKIN
                   (into phone)
            Durkin's garage.

                         HALLORAN
                   (over phone)
            Hello, can I speak to Larry?

                         DURKIN
                   (into phone)
            Speaking.

                                            CUT TO:

INT. AIRPORT - M.S.

HALLORAN at telephone booth, phone to ear.

                         HALLORAN
                   (into phone)
            Hello Larry.  This is Dick, Dick
            Halloran.

                                            CUT TO:

INT. DURKIN'S GARAGE - M.S.

DURKIN, phone to ear, behind counter.

                         DURKIN
                   (into phone)
            Dick, how are you doing?  How's the
            weather down there?

                                            CUT TO:

INT. AIRPORT - M.S.

HALLORAN, phone to ear.

                         HALLORAN
                   (into phone)
            I'm not in Florida, Larry.  I'm
            calling from Stapleton Airport.

                                            CUT TO:

INT. DURKIN'S GARAGE - M.S.

DURKIN, phone to ear, leaning on counter.

                         DURKIN
                   (into phone)
            What the hell are you doing down
            there?

                                            CUT TO:

INT. AIRPORT - M.S.

HALLORAN, phone to ear.

                         HALLORAN
                   (into phone)
            Well, I just got in from Miami, and
            I've got to get up to the Overlook
            today.  What's the weather like up
            there?

                                            CUT TO:

INT. DURKIN'S GARAGE - M.S.

DURKIN, phone to ear.

                         DURKIN
                   (into phone)
            Well, the snow ploughs are keeping
            things moving in town, but the
            mountain roads are completely
            blocked.

                                            CUT TO:

INT. AIRPORT - M.S.

HALLORAN, phone to ear.

                         HALLORAN
                   (into phone)
            That means I'm going to need a
            snowcat to get up there, Larry.
            Can you fix me up with one?

                                            CUT TO:

INT. DURKIN'S GARAGE - M.S.

DURKIN, phone to ear.

                         DURKIN
                   (into phone)
            What's the big deal about getting
            up there today, especially in this
            kind of weather?

                                            CUT TO:

INT. AIRPORT - M.S.

HALLORAN, phone to ear.

                         HALLORAN
                   (into phone)
            Larry, just between you and me,
            we've got a very serious problem
            with the people who are taking care
            of the place.  They've turned out
            to be completely unreliable assholes.
            Ullman phoned me last night, and
            I'm supposed to go up there and
            find out if they have to be replaced.

                                            CUT TO:

INT. DURKIN'S GARAGE - M.S.

DURKIN, phone to ear, looks at his watch.

                         DURKIN
                   (into phone)
            How long is it going to take you to
            get up here?

                                            CUT TO:

INT. AIRPORT - M.S.

HALLORAN phone to ear.

                         HALLORAN
                   (into phone)
            Oh about five hours.  I'm gonna
            rent a car here at the airport.

                                            CUT TO:

INT. DURKIN'S GARAGE - M.S.

DURKIN, phone to ear.

                         DURKIN
                   (into phone)
            Okay, Dick - I'll take care of it.

                                            CUT TO:

INT. AIRPORT - M.S.

HALLORAN phone to ear.

                         HALLORAN
                   (into phone)
            Oh thanks a lot, Larry.  I really
            appreciate that.

                                            CUT TO:

INT. DURKIN'S GARAGE - M.S.

DURKIN phone to ear.

                         DURKIN
                   (into phone)
            That's all right.  Drive carefully.

He puts phone down.

                                            DISSOLVE TO:

Driving


EXT. ROAD - NIGHT - M.L.S.

HALLORAN's car moving forward along snow covered road.
CAMERA TRACKS BACK with it.

                         VOICE OVER RADIO
            Well, good morning to you, Hal and
            Charlie on Radio 63, KHOW Denver

                                            DISSOLVE TO:

INT. HALLORAN'S CAR - NIGHT - M.C.S.

HALLORAN sitting behind wheel as he drives along road L-R.

                         VOICE OVER RADIO (CONT'D)
            and, Charlie, we have what you call
            your bad day out there.  What you
            call your heavy snow, snowing hard
            throughout the eh Denver metro area.
            Many of the mountain passes - Wolf
            Creek, and Red Mountain passes are
            already closed...

                                            DISSOLVE TO:




M.S. Shooting from behind HALLORAN through windscreen as he
drives along road, passing overturned truck cam.L.

                         VOICE OVER RADIO (CONT'D)
            and the chain law is in effect
            right now at the Eisenhower Tunnel.
            I guess as we've just heard from
            the news forecast, Charlie, a few
            of the flights are still landing
            out at Stapleton International
            Airport, and, with these early
            storms like this, I guess the
            entire airport will probably be
            closed within the hour.  Yeah,
            they're just not prepared.  The
            storm will continue throughout the
            day, and the national weather
            service... has declared a stopmans
            and travelers advisory... for all
            areas outlying the Denver metro
            region -
            get the cows in the barn.
            There you go.  Many businesses...

                                            CUT TO:

Road Runner
(Omitted)








INT. OVERLOOK HOTEL - JACK'S APARTMENT - M.S.

DANNY & WENDY sitting at table watching T.V. Set cam.L.
WENDY inhales cigarette and looks at her watch.  She puts
cigarette out cam.R.

                         WENDY
            Hon,

WENDY strokes his hair, then takes hold of his chin and
turns his face to her.

                         WENDY (CONT'D)
            ...listen to me for a minute, will
            you, hon?

She lowers her hand from his chin and strokes his hair.

                         WENDY
            I'm just going to go and talk to
            Daddy for a few minutes and I'll be
            right back.  I want you to just
            stay here and watch your cartoons,
            okay?

She strokes his hair.

                         WENDY
            Okay, hon?

DANNY holds up his forefinger and wiggles it.

                         TONY
            Yes, Mrs. Torrance.

WENDY kisses DANNY's head.

                         WENDY
            All right.  Now I'll be back in
            just about five minutes.  I'm gonna
            lock the door behind me.

She kisses his head and strokes his hair - then stands up
and walks away to door.  She stops and picks up a baseball
bat from cam.R.  She walks away through open doorway, and
exits cam.R.

                                            DISSOLVE TO:

All work and no play


INT. HOTEL LOUNGE - M.L.S.

WENDY, carrying baseball bat, walks away into Lounge.




As she goes, she turns and looks about her - CAMERA TRACKS
after her.

                         WENDY
            Jack...?

She looks about and then moves L-R past table, with his
typewriter on it.  She walks L-R behind pillar and appears
again on the other side.  CAMERA TRACKS with her.

                         WENDY
            Jack...?

WENDY stops and looks about.

                                            CUT TO:


M.L.S. WENDY, holding bat, in f.g.  She turns and walks away
to JACK's typewriter on table in b.g.

                                            CUT TO:


M.S. Low Angle - JACK's typewriter in f.g.  WENDY moves
forward into shot.  She looks down at sheet of paper in
typewriter.

                                            CUT TO:


M.C.S. Sheet of paper in typewriter with repetition of line
on it, reading: "ALL WORK AND NO PLAY MAKES JACK A DULL BOY."

Sheet of paper is turned up, showing repetition of line.
Again sheet of paper is turned up showing repetition of line.

                                            CUT TO:


M.S. Low Angle - WENDY looking down at sheet of paper in
typewriter.  She looks cam.R - then moves to cam.R.

                                            CUT TO:


M.S. Sheets of paper, filling cardboard box.  CAMERA TRACKS
IN on top sheet, showing repetition of the line "ALL WORK
AND NO PLAY MAKES JACK A DULL BOY." filling sheet.

                                            CUT TO:




M.S. Low Angle WENDY looking down at box of paper in f.g.
She holds up top sheet and looks at it - then puts it down
in box.

                                            CUT TO:






M.C.S. Sheets of paper filling box.  WENDY's hand enters
cam.L.f.g.  She flicks through sheets of paper and sees they
are all filled with repetition of line: "ALL WORK AND NO
PLAY MAKES JACK A DULL BOY."

                                            CUT TO:

M.S. Low Angle - WENDY flicking through sheets of paper in
box.

                                            CUT TO:

What should be done with Danny







M.S. Pillar.  CAMERA TRACKS R-L revealing WENDY, back to
camera, looking through sheets of paper in box on table in
M.L.S.  JACK enters cam.R.f.g.

                         JACK
            How do you like it?

WENDY SCREAMS and turns round to face JACK.

                         WENDY
            Jack!

                         JACK
            How do you like it?

JACK moves away towards table.  WENDY walks R-L along table.

                                            CUT TO:


M.S. JACK moves forward.  CAMERA TRACKS BACK before him.

                         JACK
            What are you doing down here?

He stops by chair and puts his hand on back of it.

                                            CUT TO:

M.S. WENDY holding bat.

                         WENDY
            I just eh... wanted...

                                            CUT TO:






M.S. JACK - hand on back of chair.

                         WENDY (OFF)
            ...to talk to you.

JACK moves R-L to table.  CAMERA TRACKS BACK.

                         JACK
            Okay.  Let's talk.

JACK flicks through sheets of paper in box - then looks
towards WENDY.

                         JACK
            What do you want to talk about?

                                            CUT TO:

M.S. WENDY holding bat.

                         WENDY
            I...

                                            CUT TO:


M.S. JACK

                         WENDY (OFF)
            I can't really remember.

                         JACK
            You can't remember.

JACK moves forward L-R.  CAMERA PANS with him.

                         WENDY (OFF)
            No, I can't.

                                            CUT TO:

M.S. WENDY, holding bat, moves L-R.  CAMERA PANS with her.

                                            CUT TO:

INT. HOTEL - JACK'S APARTMENT - M.S.

DANNY sitting at table.  CAMERA TRACKS IN on him.

                         JACK (OFF)
            Maybe it was about Danny.  Maybe it
            was about him.

                                            CUT TO:

INT. HOTEL - LOBBY - M.S.

Blood clear from camera lens revealing furniture floating
about on river of blood.

                         JACK (OFF)
            I think we should discuss Danny.

                                            CUT TO:

INT. HOTEL - CORRIDOR - M.S.

Low Angle Door with word "MURDER" scrawled in reverse on door.

                                            CUT TO:


INT. HOTEL - LOBBY - M.S.

Furniture floating on river of blood towards camera.

                         JACK (OFF)
            I think... we should discuss what
            should be done with him.

                                            CUT TO:

INT. HOTEL - LOUNGE - M.S.

JACK moves forward.

                         JACK
            What should be done with him?

                                            CUT TO:

M.S. WENDY holding bat gives nervous laugh.

                                            CUT TO:


M.S. JACK moves forward R-L - CAMERA PANS & TRACKS BACK with
him.

                         WENDY (OFF)
            I don't know.

                         JACK
            I don't think that's true.  I think
            you have some very definite ideas
            about what should be done with
            Danny... and I'd like to know what
            they are.

                                            CUT TO:


M.S. WENDY holding bat moves back R-L.  CAMERA PANS with her.
She weeps.

                         WENDY
            Well I... I think maybe he should
            be taken to a doctor.

                                            CUT TO:

M.S. JACK

                         JACK
            You think maybe he should be taken
            to a doctor?

                                            CUT TO:

M.S. WENDY

                         WENDY
            Yes...

                                            CUT TO:

M.S. JACK

                         JACK
            When do you think maybe he should
            be taken to a doctor?

                                            CUT TO:

M.S. WENDY holding bat.

                         WENDY
            As soon as possible?

                                            CUT TO:

M.S. JACK

                         JACK
            As soon as possible.

                         WENDY (OFF)
            Jack...

                                            CUT TO:

M.S. WENDY holding bat.

                         WENDY
            ...please...

                                            CUT TO:

M.S. JACK moves forward - CAMERA TRACKS BACK before him.

                         JACK
            You believe his health might be at
            stake?

                                            CUT TO:

M.S. WENDY holding bat moves back.

                         WENDY
            Ye...yes.

                                            CUT TO:

M.S. JACK moves forward.  CAMERA TRACKS BACK before him.

                         JACK
            And you are concerned about him?

                                            CUT TO:

M.S. WENDY holding bat moves back.

                         WENDY
            Yes.

                                            CUT TO:

M.S. JACK points to himself as he moves forward.

                         JACK
            And are you concerned about me?

                                            CUT TO:

M.S. WENDY holding bat moves backwards.

                         WENDY
            Of course I am.

                         JACK (OFF)
            Of course you are.

                                            CUT TO:




M.S. JACK moves forward.  CAMERA TRACKS BACK before him.  He
points to himself and gestures.

                         JACK
            Have you ever thought about my
            responsibilities?

                         WENDY (OFF)
            Oh Jack, what are you talking about?

                         JACK
            Have you ever had a single moment's
            thought about my responsibilities?
            Have you ever thought for a single
            solitary moment about my
            responsibilities to my employers?

                                            CUT TO:

M.S. WENDY holding bat moves backwards.

                                            CUT TO:


M.S. JACK moves forward - CAMERA TRACKS BACK before him.

                         JACK
            Has it ever occurred to you that I
            have agreed to look after the
            Overlook Hotel until May the first?
            Does it matter to you at all that
            the owners have placed their
            complete confidence and trust in
            me, and that I have signed a letter
            of agreement, a contract, in which
            I have accepted that responsibility?

                                            CUT TO:



M.S. WENDY holding bat moves backwards L-R to foot of stairs.
CAMERA PANS with her.  She moves onto first step.

                         JACK (OFF)
            Do you have the slightest idea what
            a moral and ethical principal is?
            Do you?

                                            CUT TO:

M.S. JACK moves forward L-R.  CAMERA PANS with him.

                         JACK
            Has it ever occurred to you what
            would happen to my future, if I
            were to fail to live up to my
            responsibilities?

                                            CUT TO:




M.S. WENDY holding bat backs up stairs.

                         JACK (OFF)
            Has it ever occurred to you?

JACK moves in cam.R.f.g.

                         JACK
            Has it?

WENDY swinging bat before her backs up stairs.  JACK moves
after her.  CAMERA TRACKS FORWARD after them.

                         WENDY
            Stay away from me!

                         JACK
            Why?

                         WENDY
            I just want to go back to my room.

                         JACK
            Why?

WENDY sobs.

                         WENDY
            Well... I'm very confused, and I
            just need a chance to think things
            over.

                                            CUT TO:






M.S. High Angle JACK over WENDY.  He moves forward up stairs.
She backs away.  CAMERA TRACKS BACK and UP before them.

                         JACK
            You've had your whole fucking life
            to think things over - what's good
            a few minutes more going to do you
            now?

                         WENDY
            Jack... stay away from me... please.

JACK reaches up to her.

                         WENDY
            Don't hurt me!  Don't hurt me!

                         JACK
            I'm not going to hurt you.

WENDY swings bat in front of her as she backs up stairs.

                         WENDY
            Stay away from me,

                         JACK
            Wendy!

                         WENDY
            Stay away...!

                         JACK
            Darling, light of my life, I'm not
            going to hurt you.  You didn't let
            me finish my sentence.  I said 'I'm
            not going to hurt you... I'm just
            going to bash your brains in!'  I'm
            going to bash them right the fuck in.

WENDY waves bat in front of her.  JACK laughs.

                         WENDY
            Stay away from me!

                                            CUT TO:


M.S. Low Angle WENDY swinging bat in front of her, backs up
stairs.  JACK follows her - CAMERA TRACKS FORWARD after them.

                         WENDY
            Stay away from me!

                         JACK
            I'm not going to hurt you.

                         WENDY
            Stay away from me!

                                            CUT TO:





M.S. High Angle JACK over WENDY.  She swings bat in front of
her, as she backs away and he follows her.

                         WENDY
            Stay away from me!  Please...

                         JACK
            Stop swinging the bat.

                         WENDY
            Stay away from me.

                         JACK
            Put the bat down, Wendy.

                         WENDY
            Stop it!

                         JACK
            Wendy give me the bat.

                         WENDY
            Stay... stay away!

                         JACK
            Give me the bat.

                                            CUT TO:



M.S. Low Angle WENDY over JACK.  CAMERA TRACKS FORWARD as
they come up stairs.

                         WENDY
            Stay away from me.

                         JACK
            Give me the bat.

                         WENDY
            Jack, stay away from me!

                         JACK
            Stop swinging the bat.

                         WENDY
            Get down.

                                            CUT TO:


M.S. High Angle JACK over WENDY.  She swings bat in front of
her as they move up stairs.  CAMERA TRACKS with them.

                         JACK
            Give me the bat.

                         WENDY
            Go away from me.

                         JACK
            Wendy...

                         WENDY
            Go away.

                         JACK
            Give me the bat.

                         WENDY
            Go away.

                         JACK
            Give me the bat.

JACK reaches up with hand.  WENDY hits his hand with bat.
SHE SCREAMS.  HE YELLS and grabs his wrist.

                                            CUT TO:


M.S. Low Angle WENDY over JACK.

                         JACK
            Goddamn!

WENDY hits JACK on head with bat.

                                            CUT TO:

M.S. High Angle JACK over WENDY - he throws up hand and
leans back.

                                            CUT TO:



M.L.S. Low Angle WENDY over JACK.  He falls backwards down
stairs.  CAMERA PANS L-R with him as he somersaults down
stairs, stopping face down on half landing.

                                            CUT TO:

M.L.S. High Angle WENDY back to camera at top of stairs.
JACK lying facedown on half landing.

                         WENDY
            Oh...oh!

                                            DISSOLVE TO:

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